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Auditions - Casting .com

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Casting/Job Title Location Project Type Submit by
Auditions for The Drowsy Chaperone Orlando, FL Theatre - Non-Equity 07-06-2015
Flaming Idiots Now Casting Boise, ID Theatre - Non-Equity 07-06-2015
Of Mice and Men Auditions Louisville, KY Theatre - Non-Equity 07-06-2015
Auditions For The Boy From Oz Charleston, SC Theatre - Non-Equity 07-06-2015
Young Frankenstein Auditions Atlanta, GA Theatre - Non-Equity 07-06-2015
The Producers Auditions Philadelphia, PA Theatre - Non-Equity 07-06-2015
Urinetown Auditions Orlando, FL Theatre - Non-Equity 07-06-2015
Don't Hug Me Auditions Cleveland, OH Theatre - Non-Equity 07-06-2015
The Fox On The Fairway Boise, ID Theatre - Non-Equity 08-02-2016
Sister Act Auditions Orlando, FL Theatre - Non-Equity 07-02-2016
Guys and Dolls Audition Cleveland, OH Theatre - Non-Equity 06-02-2016
The Music Man Auditions Seattle, WA Theatre - Non-Equity 06-02-2016
The Diary Of Anne Frank Auditions Orlando, FL Theatre - Non-Equity 06-02-2016
Auditions for The Crucible Boise, ID Theatre - Non-Equity 05-02-2016
Working Now Casting Columbus, OH Theatre - Non-Equity 01-02-2016
The Price Auditions Orlando, FL Theatre - Non-Equity 07-06-2015
The Beams Are Creaking Auditions Chicago, IL Theatre - Non-Equity 07-06-2015
On Golden Pond Auditions in Florida Orlando, FL Theatre - Non-Equity 07-06-2015
Always A Bridesmaid Auditions Columbus, OH Theatre - Non-Equity 07-06-2015
Nunsense Jamboree Auditions Atlanta, GA Theatre - Non-Equity 07-06-2015

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Auditions and Castings

It was my own experience that when I was auditioning, the director asked me to transform the anger. I have tiptoed around a topic long enough, so here goes: Fear turned into inner anger can be turned into killer energy. Just do not let the anger rule. And do not let the committee see or sense your anger. Let the anger become energy. And wrap that anger in swaths of charm. Anger, properly used, can be a marvelous friend. It can be expressed as energy in the way you walk, the way you introduce yourself, the way you deliver your sides/monologue, the way you exit.

I like being in charge of my destiny and detest that those people behind the table have control of my professional destiny. If a loved one is trapped under a car, that love turns into "superhuman" energy and you do the impossible. However, in an audition, if you insist on the love approach, just be sure your love turns into superhuman energy and that you do something (the equivalent of lifting the car off your loved one).

Starting with the nucleus in your being, extend your electric energy into your sides/monologue. Extend that energy throughout the entire room. Gather the energy while you wait to go in. Feel the energy tingling as you open the door. Do not turn the power of your audition over to the committee. I really cannot tolerate whiners who complain about an apathetic audience (or a negative casting director). The audience (the committee) responds to you. What that they respond to is totally within your control. They may loathe your work or love it but do not allow them to be indifferent. Ho-hum is a plague. This is a battleground. Go in to win. Be absolutely ruthless in your determination to make them sit up and notice what you are doing.